Hearing Bruckheimer Pirates-themed music again is a thrill, given that the last three films sucked. Monster’s Inc., with its complete and utter focus on emotions and the ethics of fear and joy, makes sense for this magical morality tale (and serves as a semi-sequel to the original film). Toy Story‘s Rex being a superfan of Sora because he thinks he came from an anime video game is incredible. I won’t get into the minutiae of every realm but suffice to say, all of the others made a big impact. It sounds damning but those two worlds (which have their moments) are really the only lows. Also, not yelling at my TV when the game asks me to find pieces of Olaf a billion times would be nice (and I actually don’t mind Olaf). Elsa’s powers were ripe for showing off here, she just doesn’t have a great platform to do it. Frozen is mostly a wasteland (which is to be expected to some degree), but I wish the team really ran with it further. Hercules (the first world) is a hell of an intro, but not all universes are created equal. It’s on-brand, an observation that extends to the series as a joint body: silly or serious, Kingdom Hearts is as true to its heart as the closing song to Mulan. The series absolutely nails aerial combat (with combos typically known as aerial raves) and that legacy is secured by Kingdom Hearts III. Nomura and his team have a way with their signature polarizing floaty combat system, which fits Kingdom Hearts to a tee, whether you’re flying up in the sky with Buzz Lightyear or clashing Keyblades with a Goku-haired villain. I said in our review in progress that the combat system isn’t super deep and that’s still the case. It’s the dialogue that betrays the simplicity of it all, with plenty of heart similes and metaphors pouring out from an endless chocolate-flavored font. Sora and Kairi need to train further and Riku is going on special missions with King Mickey: again, easy. Sora, Kairi, and Riku all have their own quests to settle and it’s all very easy to follow. There’s absurdity sprinkled abound but for the most part, things are grounded, especially in the first half. See, not so bad, right? I skipped over the creation of around 20 clones give or take, but that’s it. In Kingdom Hearts III you’ve finally assembled a dream team and garnered enough power to take him on. To accomplish this he creates multiple forms of himself using his powerful magic (stay with me). ![]() Xehanort, the primary antagonist of the series, wants to recreate the universe (read: exterminate multiple worlds) in a fire and brimstone fashion using Kingdom Hearts as a sort of cataclysmic Pandora’s Box. ![]() I’ve summarized the series before in a digestible paragraph, but I’ll start over again just in case.
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